The VOLT Collection is built on a dark-'90s foundation with a cyber charge — geometric, asymmetric tailoring in spliced, architectural cuts and hard lines. Every silhouette, from the garments to the bags, is engineered around the same language of tension and asymmetry.
The signature VOLT print is a pattern generated from the house logo itself — the connecting line that links the first M in Pimpinicchio to the N of New York, repeated into a monogram. The bags are named for the New York architecture that shaped them: 30H, Trinity, Dey.
Three signature silhouettes, each drawn from a piece of the city's architecture and engineered from sketch to production.
Named for 30 Hudson Yards, home to The Edge — the angled, frameless-glass deck that juts asymmetrically into the sky, suspended over the city. That geometry became the bag: sharp asymmetric planes, matelassé sides, oversized brass rings, and a chain, in bio-based vegan leather.
An asymmetric, sculptural hobo — a curved form molded to the body, its soft tension held by structured edges. Named for Trinity Street, it is engineered to fold, drape, and carry weight without ever losing its silhouette.
An asymmetric bag anchored by a macro metal plate — hardware treated as architecture. Named for Dey Street, it pushes the collection's geometric language into one oversized, structural statement.
The full VOLT collection developed as a single geometric world, presented at NYFW Runway 7.
Selected looks from the collection, styled and shown on the runway.
An asymmetric blazer-mini spliced in pinstripe and monogram, cut to sculpt and stride. Mini length, maximum command.
Tailored precision with a deconstructed twist. A sleeveless monogram vest wraps and ties over architectural pinstripe trousers with an angled overlay.
Fluid drama under a high-gloss shell. A bias-cut monogram dress with a vegan-leather waist detail slips beneath a neon trench with denim tabs.
